Summary: This follows in the spirit of "Pacing" in that it is written to enhance the trance experience: the intensity of induced feelings, in this case. The induction is fairly straightforward, and at the end you are told to touch yourself and orgasm for me while chanting a mantra. It can be easy to forget, in the bundles of words and phrases that make up an induction, that hypnosis is just as much about what you feel as it is about what you think - or do not think.

Summary: In the vein of "Blink" and "Resistance is..." this script operates on the idea that it is difficult to -not- think about something once it's brought up. This is used to introduce what will later become the symbiont - the black fluid - which is made to cover your body like a rubber/latex suit and consume your thoughts, mind, will...you are encased, told to masturbate, told to feed the fluid. A trigger is connected to the symbiont, and you are encouraged to use the script multiple times. It's often just as much about what you don't think about as what you do.

Summary: This script operates on a similar premise to the one titled "Resistance is..." It uses the notion that targeted awareness can subvert unconscious action. Once established, this idea is used to put you into a trance. Then you are made aroused, encouraged to touch yourself, told to make yourself cum after a bit of edging. The phrase used in other scripts is tied to the notion of an orgasm trigger, albeit somewhat casually. It is a tricky thing, the human mind. I've been inside a lot of people's heads - maybe even yours - and I still find myself wondering about things.

Summary: This script explores the notion of trying (and failing) to resist going into trance. It follows the inevitable submission with arousal, instructions to masturbate and orgasm, and a sort of contract that the condition of said orgasm is accepting an urge to follow my words frequently. It connects arousal with a phrase that is likely becoming familiar by now. This post will mesmerize you, and quite possibly leave you with an urge to read my words often. I don't mind telling you that, because there isn't really anything you can do about it. I don't mean that as a comic book villain; I am simply describing reality.

Summary: This is an exploration of some of the elements that make hypnosis appealing. The script exploits those concepts to put you into a trance, encourage you to surrender to my will, convince you to kneel, and compel you to touch yourself for me. There is an allusion to the idea that my words may become addictive; you are told to chant "follow and obey." What is it that draws you to hypnosis? What do you find most appealing? It's a little different for everyone, sure, but to say there aren't some universal factors at play would be in bad taste. Let's explore those factors, shall we? Of course. You're here, after all.

Summary: This is (clearly) the sequel to Part 1 of How to Turn Yourself Into a Good Girl. It continues developing the ideas in the first script: submission to me, pleasure from obedience, deeper relaxation and conditioning. It broaches the idea of becoming a good girl as an act of habit, and suggests you adopt the structure of that habit from my words. You are given several suggestions of intense pleasure, sexual in nature, and told to masturbate and cum. If it has been more than a week since you read Part 1, go back and read it again. How to Turn Yourself Into a Good Girl (Part 1) It is a good time to have that refreshed in your mind, after all.

Summary: This script exploits the idea of eye movement in order to induce a trance. It is best read on a full size screen, rather than a mobile device, for that reason. The phrase involved is embedded as a trigger, and you are instructed to chant it and make yourself cum. It isn't explicitly meant to go with the good girl brainwashing, but it does follow rather naturally because of how it is written. When the average person thinks of hypnosis, they tend to imagine spirals, swinging pocketwatches, and the soft droning voice of a therapist. A bit cliche, but not altogether inaccurate. Those are tools for entrancing the mind, certainly.

Summary: This is the first version of the good girl brainwashing content. It builds a foundation for additional brainwashing with the goal of turning you into a good girl. It associates the idea of being a good girl with my words; it suggests submission to me and regular reading, and it includes a mantra. You are instructed to masturbate and to cum, as well as to crave my words. You're reading this because you're curious. The title caught your eye, made you wonder. That's not surprising. It is rather direct, isn't it? But you've read my words before, I suspect. You know they have a certain kind of power, a pull to them.

Summary: This is the direct sequel to "Pacing" and is meant to be read shortly afterwards. It is similar to the prior script in that it has structure and syntax intended to enhance the effect of text-based hypnosis. This script, however, narrows that focus to my words specifically; it associates following my words with trance, trance with euphoria, and encourages response to a particular phrase (follow and relax/follow and obey.) As with the previous one, there aren't erotic elements in this content. The beauty of text-based inductions like that, they leave a bit of an opening for a follow-up.

Summary: This script focuses on the power of words over the mind. Most of the effects are explicitly stated; that said, it is designed to leave you aroused to the point of having to masturbate. A notable side-effect: it will likely leave you more susceptible to my words. There are, however, no explicit triggers. It is a commonly accepted truth that words have power. Reading this, for instance, will leave your mind entirely blank and you aroused to a level you presently don't believe possible. But don't take my word for it.